Delhi-6

Delhi-6

Album Category: Hindi, Film
Year: 2009
Music Director: A.R. Rahman, Traditional
Lyricist: Prasoon Joshi, Traditional
Label: T-Series
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Album Credits: ADDITIONAL PROGRAMMING: Henry, Deepak PA. SOUND ENGINEERS: H. Shridhar, S.Sivakumar, Deepak PA, Viviane. MIXING ENGINEER: K.J. Singh, More...
 
Film Credits: DIRECTOR: Rakeysh Omprakash Mehra. PRODUCER: Rakeysh Omprakash Mehra, Ronnie Screwvala. STORY: Rakeysh Omprakash Mehra, More...
 
(1) Reviews



Song Listing


 
Masakali
Singer: Mohit Chauhan
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Pop, Filmi
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Arziyan
Singer: Javed Ali, Kailash Kher
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Sufi/Qawwali, Filmi
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Dilli-6
Singer: Blaaze, Benny Dayal, Tanvi Shah, Vivienne Pocha, Claire
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Electronic, Filmi
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Rehna Tu
Singer: A.R. Rahman
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Pop, Filmi
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Hey Kaala Bandar
Singer: Karthik, Srinivas, Bonnie Chakraborty, Naresh Iyer
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Pop, Hip-hop, Electronic
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Dil Gira Dafatan
Singer: Ash King
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Pop, Celtic
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Genda Phool
Singer: Rekha Bhardwaj
Music Director: A.R. Rahman
Lyricist: Traditional
Genre: Pop, Hindi Folk
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Bhor Bhaye
Singer: Bade Ghulam Ali Khan, Shreya Ghoshal
Music Director: A.R. Rahman
Lyricist: Traditional
Genre: Hindustani
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Tumre Bhavan Mein (Aarti)
Singer: Rekha Bhardwaj, Kishori Gowariker, Sujata Majumdar, Shraddha Pandit
Music Director: Traditional
Lyricist: Traditional
Genre: Bhajan
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Noor
Singer: Amitabh Bachchan
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Genre: Narration, Filmi
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Awards


 

Trivia


 

    Song

  • Rehna Tu - This song was not originally planned for the film and A.R. Rahman had to convince Rakesh Omprakash Mehra to get it included.[MR16]
  • Rehna Tu - This was the first film song for which A.R. Rahman used the Continuum Fingerboard. The Continuum was developed by a University of Illinois professor, Lippold Haken. Rahman's interest in the Continuum stemmed from the fact that it was one keyboard-like instrument that allowed microintonation of notes and therefore had ability to play Indian classical music. Rahman's first public performance on the Continuum was at a sold-out concert at the Sears Center in Chicago with Professor Lippold Haken in the audience.[1]



References


 

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